Dangerous Jade аккорды от
Andrew Lloyd Webber
Andrew Lloyd Webber

N/A
Тональность: D minor
Verse 1
Am
Am

The man is a fool,
breaking every taboo
Bm
Bm

Am
Am

Bm
Bm

Am
Am

Installing the girl in the army H.Q.
C
C

And she's an actress, the last straw
Am
Am

Her only good parts are
between her thighs
Bm
Bm

Am
Am

She should stare at the ceiling,
Bm
Bm

Am
Am

not reach for the skies
C
C

Am
Am

Or she could be his last
C
C

Am
Am

whore
G
G

D
D

The evidence suggests
C
C

D
D

She has other interests
G
G

D
D

If it's her who's using him
C
C

D
D

C
C

Am
Am

He's exceptionally dim
Bitch!
C
C

Dangerous Jade!
Fm
Fm

C
C

We have allowed
Verse 2
C#
C#

Am
Am

ourselves to slip
F
F

C
C

Am
Am

C
C

We have completely lost our grip
Am
Am

We have declined to an all- time low
C
C

Am
Am

C
C

Am
Am

Tarts have become the set to know
Verse 3
Am
Am

It's no crime for officers
to do as they please
Bm
Bm

Am
Am

As long as they're discreet
Bm
Bm

Am
Am

and keep clear of disease
C
C

Am
Am

We ignore, we disregard
But once they allow a bit on the side
Bm
Bm

Am
Am

To move to the center
Bm
Bm

where she's not qualified
Am
Am

We should all be on our guard
G
G

D
D

She should get into her head
she should not get out of
C
C

D
D

C
C

Am
Am

bed
G
G

D
D

She should know that she's not paid
C
C

D
D

Am
Am

To be loud but to be laid
Slut!
Dangerous Jade!
F
F

C
C

This has really been
Verse 4
C#
C#

G#
G#

your year Miss Duarte
F
F

C
C

Tell us where you go from
Fm
Fm

here Miss Duarte
Bbm
Bbm

C
C

Which are the roles
Fm
Fm

that you yearn to play
C
C

F
F

C
C

F
F

Whom did you dine with yesterday?
C
C

F
F

Acting is limiting the
Verse 5
C
C

lines not mine
F
F

C
C

That's no help to the Argentine
F
F

Am
Am

Can we assume then
Verse 6
that you'll quit?
Bm
Bm

Am
Am

Bm
Bm

Is this be cause of your involve
Am
Am

C
C

ment with Colonel Peron?
Goodnight and thank you
Am
Am

She won't be kept
Verse 7
happy
by her nights on the tiles
Bm
Bm

Am
Am

She says it's his body
Bm
Bm

but she's after his files
Am
Am

So get back onto the street!
G
G

D
D

She should get into her head
C
C

D
D

She should not get out of bed
G
G

D
D

She should know that she's not paid
C
C

D
D

C
C

Bb
Bb

To be loud but to be laid
G
G

D
D

The evidence suggests
C
C

She has other interests
D
D

G
G

D
D

Am
Am

D
D

If it's her who's using him
Am
Am

He's exceptionally dim
Verse 8
D
D

She should get into her head
G
G

D
D

(To see an underdog succeed)
She should not get out of bed
(Is the encouragement
I need)
C
C

She should know that she's
G
G

not paid
D
D

(Opportunity is back,
if she could make it)
To be loud but to be laid
(By her efforts in the sack)
C
C

G
G

The evidence suggests
D
D

(Then a man who offers more,
he would have the world)
She has other interests
C
C

G
G

(The pathway to his door)
D
D

If it's her who's using him
C
C

He's exceptionally dim
Verse 9
C
C

Things have reached a pretty
pass
C
C

When someone pretty lower class
graceless an vulgar, uninspired
Bm
Bm

Can be accepted and admired

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