Тональность: A minor
Verse 1
Fm
Yo, I don't even know how
I'ma spit this shit.
I don't need - I don't know what
to tell
There's no fucking room.
Db
Yo, I was actually thinking
all that stuff we recorded.
Ab
Yeah.
Cm
Ab
Like, we're gonna put it here.
Bbm
Db
Instead of not having like an intro.
Fm
Right, right, we'll have those
words in it. what song.
Db
It'll just go right up to
Ab
my verse and shit.
Db
Alright.
Ab
Here goes nothing. Okay.
Fm
A real nightclub, a real good music.
Ab
Db
Ab
Quite comfy, loud, dancey
Cm
It's the movement, I process along
Ab
Came out of thought to fill your mind
Db
To make you sneak a slide
Rage or drink it, preach
the beat was rough
Fm
You heard the finished product,
but never the rough draft
Db
Here it is, it lasts
We'll take you through
Fm
on how we make a jam
Cm
Sitting right in this
Ab
Db
I know it sounds bad, but it lasts
Bbm
Got replaced with
Ab
Fm
That line that ends with rough draft
I just put up to this
Not in my head, it sounded pretty bad
Db
I just read it again
I make it show before
Cm
Ab
Grabbed the party hat, not yet
I need to hop in the booth
Db
Take whatever makes it
That's used to fix the level
Fm
Tell you how it's meant, backups
Which one should I pick?
Db
Quiet, comfy, loud, dancey
Fm
Ab
Sneak a slide, here it is
Db
Here it lives, an idea you can grasp
Bbm
You heard it all before,
Ab
but rarely heard the rough track
Fm
Ab
Take one, take two
Fm
Db
Ab
Take one, take two
Cm
Db
Fm
Take one, take two
Ab
Db
Fm
Take one, take two
Ab
Cm
Ab
Take one, take two
Fm
Db
Ab
Take one, take two
Fm
Ruff, I need a shave, draft,
Db
Bumpin' that Zimbabwe,
Fm
Ab
legit brothers from the mother
Cm
Ab
Pop it out and throw in
Db
the new demo we take
Eat some grapes and a grape,
grab the pen and a pape
Fm
Skim through, locate the heat,
Ab
Fm
then I put it on repeat
Db
Get an idea, brewin' like some
Fm
Ab
barley hops and wheat
Refining it to twine,
Db
till I come up with some lines
Bbm
Run through em in my mind,
Ab
then I write down the design
Cm
I start losin' some steam
Db
Take it back to bar 4 and devise
Cm
When I was younger,
Eb
had the everyday writin' routine
Db
Cm
But now it's only when it's time
Db
to step to bat for the team
Fm
We put in a lot of time
Cm
over here at Time Machine
Db
To keep the product free of filler
Ab
and excessive yammies
Cm
Now me, I wear these lines
Db
the only time you're supposed to laugh
So to keep it that way,
Ab
we stay with the rough drafts
Fm
Ab
Db
Take one, take two, take one,
Fm
Ab
Cm
Db
take two, take one, take two
Cm
So it's a new revolution
Db
I would never want to share
Cm
Db
Take one
Ab
Cm
Take one
Ab
Fm
Take two
Fm
Keep my socks breezy,
this summer I'll be drizzlin'
I'm sure that you won't mind
if I don't drizzlin'
Cm
Ab
Keep my socks breezy,
Db
Fm
this summer I'll be drizzlin'
Bbm
But in the end I'm sure that
if I don't drizzlin'
Fm
Keep my socks breezy,
this summer I'll be drizzlin'
I'm sure that you won't mind
if I don't drizzlin'
Cm
Keep my socks breezy,
Db
Fm
this summer I'll be drizzlin'
Ab
Fm
I'm that you won't mind if I drizzlin'
Db
Fm
O teu mole tem na lapinha
Cm
Ab
Db
Bbm
Db
Cão sacudou, te palitou, fatinha
Fm
Db
Fm
O teu mole tem na lapinha
Cm
Ab
Db
Bbm
Ab
Cão sacudou, te palitou, fatinha
Fm
Db
Fm
O teu mole tem na lapinha
Cm
Ab
Db
Bbm
Db
Cão sacudou, te palitou, fatinha
Fm
Db
Fm
O teu mole me tem na lapinha
Cm
Db
Bbm
Db
Ab
Com sa coroa de paletou o fatinha
Fm
Db
O teu mole me tem na lapinha
Cm
Ab
Fm
Bbm
Db
Com sa coroa de paletou o fatinha
Fm
Db
O teu mole me tem na lapinha
Ab
Db
Ab
Can't stop, can't can't stop
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