Тональность: A minor
Verse 1
C#m
Yo, I don't even know how
I'ma spit this shit.
I don't need - I don't know what
to tell
There's no fucking room.
A
Yo, I was actually thinking
all that stuff we recorded.
E
Yeah.
G#m
E
Like, we're gonna put it here.
F#m
A
Instead of not having like an intro.
C#m
Right, right, we'll have those
words in it. what song.
A
It'll just go right up to
A
Alright.
E
Here goes nothing. Okay.
C#m
A real nightclub, a real good music.
E
A
E
Quite comfy, loud, dancey
G#m
It's the movement, I process along
E
Came out of thought to fill your mind
A
To make you sneak a slide
Rage or drink it, preach
the beat was rough
C#m
You heard the finished product,
but never the rough draft
A
Here it is, it lasts
We'll take you through
C#m
on how we make a jam
G#m
Sitting right in this
E
A
I know it sounds bad, but it lasts
F#m
Got replaced with
E
C#m
That line that ends with rough draft
I just put up to this
Not in my head, it sounded pretty bad
A
I just read it again
I make it show before
C#m
some lines I add
G#m
E
Grabbed the party hat, not yet
I need to hop in the booth
A
Take whatever makes it
That's used to fix the level
C#m
Tell you how it's meant, backups
Which one should I pick?
A
Quiet, comfy, loud, dancey
C#m
E
Sneak a slide, here it is
A
Here it lives, an idea you can grasp
F#m
You heard it all before,
E
but rarely heard the rough track
C#m
E
Take one, take two
C#m
A
E
Take one, take two
G#m
A
C#m
Take one, take two
E
A
C#m
Take one, take two
E
G#m
E
Take one, take two
C#m
A
E
Take one, take two
C#m
Ruff, I need a shave, draft,
G#m
pull me an other
A
Bumpin' that Zimbabwe,
C#m
E
legit brothers from the mother
G#m
E
Pop it out and throw in
A
the new demo we take
Eat some grapes and a grape,
grab the pen and a pape
C#m
Skim through, locate the heat,
E
C#m
then I put it on repeat
A
Get an idea, brewin' like some
C#m
E
barley hops and wheat
Refining it to twine,
A
till I come up with some lines
F#m
Run through em in my mind,
E
then I write down the design
C#m
Bout 8 bars in,
G#m
I start losin' some steam
A
Take it back to bar 4 and devise
G#m
When I was younger,
B
had the everyday writin' routine
A
G#m
But now it's only when it's time
A
to step to bat for the team
C#m
We put in a lot of time
G#m
over here at Time Machine
A
To keep the product free of filler
E
and excessive yammies
G#m
Now me, I wear these lines
A
the only time you're supposed to laugh
So to keep it that way,
E
we stay with the rough drafts
C#m
E
A
Take one, take two, take one,
C#m
E
G#m
A
take two, take one, take two
G#m
So it's a new revolution
A
I would never want to share
G#m
A
Take one
E
G#m
Take one
E
C#m
Take two
C#m
Keep my socks breezy,
this summer I'll be drizzlin'
I'm sure that you won't mind
if I don't drizzlin'
G#m
E
Keep my socks breezy,
A
C#m
this summer I'll be drizzlin'
F#m
But in the end I'm sure that
if I don't drizzlin'
C#m
Keep my socks breezy,
this summer I'll be drizzlin'
I'm sure that you won't mind
if I don't drizzlin'
G#m
Keep my socks breezy,
A
C#m
this summer I'll be drizzlin'
E
C#m
I'm that you won't mind if I drizzlin'
A
C#m
O teu mole tem na lapinha
G#m
E
A
F#m
A
Cão sacudou, te palitou, fatinha
C#m
A
C#m
O teu mole tem na lapinha
G#m
E
A
F#m
E
Cão sacudou, te palitou, fatinha
C#m
A
C#m
O teu mole tem na lapinha
G#m
E
A
F#m
A
Cão sacudou, te palitou, fatinha
C#m
A
C#m
O teu mole me tem na lapinha
G#m
A
F#m
A
E
Com sa coroa de paletou o fatinha
C#m
A
O teu mole me tem na lapinha
G#m
E
C#m
F#m
A
Com sa coroa de paletou o fatinha
C#m
A
O teu mole me tem na lapinha
E
A
E
Can't stop, can't can't stop
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