Тональность: Bb minor
Intro 1
Am
Gm
Am
Gm
Am
G
Dm
Gm
Am
Gm
Dm
F
G
Dm
F
Am
Gm
Dm
Am
Dm
Gm
Am
G
Dm
F
G
Dm
G
Dm
F
G
F
G
F
Am
G
Dm
G
Dm
Am
G
Dm
G
Am
G
Verse 1
G
Dm
Smooth to the ooze came Butter
G
Am
Try to gank my style and
Dm
I'll hip you to the heater
grew the hard rock
F
G
You can ask my dads Chairman
Squattin' at they pads
Diggin' on the jazz that's the half of it
F
Uncle Sam showed us all his
F
Dm
Told him that ghetto is the aim,
Bb
Then we changed your boogie cause your
G#m
G
boogie had to change
Verse 2
Dm
Caught a fat chat with a cat
Am
Dm
Flipping mad tracks on
a love child Nickel Bag
Am
G
Dm
Ah Mecca much jive and a jazz touch
Am
Dm
With a straight no chase,
Snatch an acid insect
Dm
changed her dialect
Dm
Mr. Doodlebug come
Am
tight with a ticket
Dm
Said we couldn't drip it
F
Came in and we kicked it with
G
a glass of water on the rocks
Verse 3
Nip it
G
Dm
G
Jazz, in the last 5 years has
F
progressed in its fits
G
Dm
And starts of sudden discoveries and
G
Startled reactions. New principles,
F
G
new sounds
F
New rhythms and harmonies have been
Dm
ad vanced with unusual frequency
F
G
Dm
G
Not surprisingly, many of the younger musicians
F
Dm
have been quietly digesting
G
This information almost as
quiuckly as it has appeared
As a result,
Am
they've acquired a degree of
G
Am
Musical sophistication which supersedes many of
Dm
the previous standards of excellence
G
So it's no longer especially relevant
Dm
to ask the young saxophone player
G
For example, to demonstrate his ability by run
F
G
Dm
F
ning through all the Charlie Parker licks
Verse 4
G
Come little hoods peep
Dm
G
out the eyelids
Dm
G
Stash a fat gat cause the loops let you dig
Dm
With a Bloom Swoon and a Full Moon
Am
G
Mecca Bug no fake takes
Am
we let alone baits
Dm
Am
Pitchin' up your cakes might cause
G
Dm
Am
a horn rush but then a bass flush
G
Dm
G
Meta more emphasis as I trip this
Am
F
Butter bug pour it out the mouth
Verse 5
G
Am
O.K. floater to the order don't we
Dm
F
wreck before we split
G
From the chaos came the fattest little shit
By the soak of it at the point
of hammer click
Am
G
You could either read a little Marx
or hang with Spiddyocks
G
When the bass faces fix the deepest
cuts they're the sickest
Then we just make you think
F
you boomed with a quickness
Am
F
This is what's the haps when
I go to do my smack
G
Cause the word got around about three cool cats
Outro 1
Dm
G
Dm
F
G
G
Dm
G
F
G
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