Тональность: Ab major•
Intro 1
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Eb
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C
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Verse 1
G
Ab
G
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come gather round my stand an d hear
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Satchmo's
Happy
Dixie
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Band.
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Db
Now, I know some people call it corn,
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F
G
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but right here is where the blues was born.
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G
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G
Hear that music blue just spring that you'd
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Bbm
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like to strut to on the floor.
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Cb
Hear the slide trombone and trumpet moan
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Cb
Db
as you're coming through the door.
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G
I'll guarantee that you'll never see
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Cb
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black lights of them again.
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Stomp your feet to the beat of the
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Ab
Dixie music, men.
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Ab
Everybody move,
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Ab
G
get right in the groove.
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F
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Ab
There ain't nothing you can lose.
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Db
Now right here's the spot where
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we'll all get hot.
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Db
That's the mess of blues.
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Here's the place to slap
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and spank that bass.
Bbm
Here's the music.
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And I mean,
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this is where the blues is born.
The
G
New
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C
Orleans.
Let me introduce
Mr.
Charlie
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C
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Beals, piano man.
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F
Can he spiel?
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Eb
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Only got two hands, but that's plenty.
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Eb
F
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Ab
it sounds like 20.
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An d he has
Kid
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F
Ulrich on the horn.
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Ab
Greatest sliding man ever born,
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C
plays trombone smiths with laughing notes.
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No human being ever rode.
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G
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C
Db
Zutty
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Singleton.
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C
He can eat them sheepskin
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Eb
C
s like no one.
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Ab
Cym bals, bells, and all that stuff.
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Ab
Give all the face and treat them rough.
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G
And then here's
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Barnaby
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Goddess
G
You ain't never heard
nothin' like him yet.
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When he cuts loose, I know you'll roar.
Mr.
Big
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G
Eye, please give me more.
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Eb
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Now here's
Bud
Scott and his old guitar.
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Ab
Db
Always smokin' that big cigar.
He's the rhythm man of a great renown.
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C
G
Ab
Give a listen while he goes down.
Red calendar, meet him face to face.
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He's the one that plays that old slap bass.
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Eb
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He started out with a violin,
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Db
and the doggone thing just grew up
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Db
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C
Ab
on him.
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And there's me.
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G
Excuse my crust.
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Introduce myself, my buzz.
I'm
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Arm strong, don't forget.
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Ab
G
Eb
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I got to get up out on the old cornet.
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Abm
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Last of all, meet
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Mr.
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Db
Nick, gambling man,
and he's mighty slick.
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He's the boss man of this place, and how,
Mr.
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Nick, please stand up and take a bow.
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F
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-WATCH
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АккордыDb Eb Ab Gb G...
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